More paint-drying at the studio.
Watching paint dry in the studio.
Gearing up for an intense month of painting to get ready for my upcoming show at Ghostprint Gallery with Edward Kinsella.
New work for the June 2012 issue of The Progressive. The article deals with Syrian refugees in Jordan who want to return to Syria despite knowing that it almost certainly means death for them. One woman in particular recounts getting caught in the barbed-wire at the border as she escapes, frozen, not wanting to believe that this may be the last time she sees her homeland. In the illustration she stands in Jordan, on the living side of the barbed-wire border, and casts a shadow into Syria that takes the shape of a grim reaper. As she says late in the article, “It’s better to die in Syria than live in Jordan.”
As always a heart-felt thank you to AD Nick Jehlen for thinking of me for this piece.
(Source: jeffreyalanlove.com)
New work for Government Executive Magazine for an article about progressive discipline systems. AD: Kelly Martin.
Revisited this Nick Cave & Warren Ellis piece for an upcoming promotional postcard.
Demo at VCU tonight. Poster design by Ellie Doughty.
I am giving a demo at Virginia Commonwealth University this Friday, April 27th at 6pm at Franklin Terrace, Room 403. Stop by and say hi.
New work for Malibu Magazine’s 10th Anniversary issue. AD: Julian Chavez.
(Source: jeffreyalanlove.com)
I’m very honored to have “Keeping Track of A Moving Target” (top) selected for publication in American Illustration 31. “The Salons of Ghost Geniuses” (bottom) was selected for AI’s website. 2012 continues to prove to me that doing what you love will reap unexpected rewards. Thank you very much to the judges and American Illustration.
(Source: jeffreyalanlove.com)
